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Slíbíš svý modrý (feat. Ilona Csáková)
Slíbíš svý modrý (feat. Ilona Csáková)
Miroslav Sanctus Saidl, Ilona Csáková
 Ismingizni yuragimdan olib keting
Ismingizni yuragimdan olib keting
HM-Mehre, HM-NFAR, NF-Nafisa
 Strakonický dudák - Kouzelné dudy
Strakonický dudák - Kouzelné dudy
Blanka Bohdanová, Josef Kemr, Václav Švorc, Petra Kroftová, Vladimír Leraus, Miloš Nesvadba, Libuše Havelková, Jarmila Orlová, Miroslav Doležal, František Krahulík, Jana Hlavácová, Jaroslava Tvrzníková, Bohuslav Čáp, Vladimír Pospíšil, Bohuš Záhorský, Ladislav Pešek, Martin Kubala, Gabriela Preissová, Pavel Bešík, Lída Engelová, Miroslav Chorvát, Čestmír Řanda, Josef Velda, Blažena Holišová, Martin Štěpánek, Milan Nosál, Iva Šašková, Milan Mach
 Oboe Sonata in D Major, Op. 166:II. Ad libitum - Allegretto - Ad libitum
Oboe Sonata in D Major, Op. 166:II. Ad libitum - Allegretto - Ad libitum
Albrecht Mayer, Karina Wisniewska
 La traviata, Act I:Follie! Follie! – Sempre libera "Cabaletta"
La traviata, Act I:Follie! Follie! – Sempre libera "Cabaletta"
Ileana Cotrubas, Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber
 Sacrarum cantionum liber primus a 5:No. 3, Ave dulcissima Maria
Sacrarum cantionum liber primus a 5:No. 3, Ave dulcissima Maria
John Eliot Gardiner, Monteverdi Choir
 This Christmas Night Medley: All Through the Night / The First Noel / O Little Town of Bethlehem / Away in a Manger / What Child Is This / It Came Upon a Midnight Clear / O Holy Night (feat. Black Gryph0n, Andrea Libman, Rebecca Shoichet, Vincent Tong & S
This Christmas Night Medley: All Through the Night / The First Noel / O Little Town of Bethlehem / Away in a Manger / What Child Is This / It Came Upon a Midnight Clear / O Holy Night (feat. Black Gryph0n, Andrea Libman, Rebecca Shoichet, Vincent Tong & S
Michelle Creber, Monique Creber, Black Gryph0n, Andrea Libman, Rebecca Shoichet, Vincent Tong, Shannon Chan-Kent
 Sonate sentimentale for Piano 4 Hands in G Major, Op. 120:I. Allegro moderato ed espressivo
Sonate sentimentale for Piano 4 Hands in G Major, Op. 120:I. Allegro moderato ed espressivo
Duo Pianistico di Firenze, Sara Bartolucci, Rodolfo Alessandrini, Clara Franziska Schoetensack, Augusto Gasbarri
 Religious
Religious
Musiq, George Porter, Arthur Neville, Joseph Modeliste, Carvin "Ransum" Haggins, Leo Nocentelli, Taalib Johnson
 Numinous Fireweed
Numinous Fireweed
LEILALI, Rihards Lībietis, Wild Anima
 The Devil´s Wall, ., Act III, Scene 7: "Ah, I know why that Záviš is pursuing me so hard!" (Vok Vítkovic, pán z Růže, nejvyšší maršálek Království českého, Jarek, rytíř ve službě Vokově, Hedvika, hraběnka ze Šauenburku, Katuška, dcera hradního Michál...
The Devil´s Wall, ., Act III, Scene 7: "Ah, I know why that Záviš is pursuing me so hard!" (Vok Vítkovic, pán z Růže, nejvyšší maršálek Království českého, Jarek, rytíř ve službě Vokově, Hedvika, hraběnka ze Šauenburku, Katuška, dcera hradního Michál...
Prague National Theatre Orchestra, Zdenek Chalabala, Václav Bednář, Ivo Žídek, Milada Subrtova, Libuše Domanínská, Karel Berman
 Adlibs (feat. Kaisrevival!)
Adlibs (feat. Kaisrevival!)
Vier, kaisrevival
 Antiphon, Christus factus est (III) (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Antiphon, Christus factus est (III) (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Antiphon, Christus factus est (II) (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Antiphon, Christus factus est (II) (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Antiphon, Christus factus est (I) (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Antiphon, Christus factus est (I) (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Hymn, Vexilla Regis prodeunt (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Hymn, Vexilla Regis prodeunt (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Reproaches (III), Quid ultra debui/Ego te exaltavi (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Reproaches (III), Quid ultra debui/Ego te exaltavi (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Reproaches (II), Quia eduxi te/Ego te pavi (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Reproaches (II), Quia eduxi te/Ego te pavi (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Reproaches (I), Popule meus/Ego te eduxi (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Reproaches (I), Popule meus/Ego te eduxi (from the Liber Usualis, edited by the monks of Solesmes, Desclée 1963) (Voice)
Martin Neary
 Sonata a Quattro
Sonata a Quattro
La Fenice, Jean Tubery
 Troisième suite in D Minor: I. Prélude
Troisième suite in D Minor: I. Prélude
La Fenice, Jean Tubery
 Suite No. 5 pour clavecin in F Major: I. Ouverture
Suite No. 5 pour clavecin in F Major: I. Ouverture
La Fenice, Jean Tubery
 Fugue
Fugue
La Fenice, Jean Tubery
 Messe du deuziesme ton: No. 3, Dernier Kyrie
Messe du deuziesme ton: No. 3, Dernier Kyrie
La Fenice, Jean Tubery
 Recit de Tierce en taille
Recit de Tierce en taille
La Fenice, Jean Tubery
 Kommt Seelen, dieser Tag muss heilig sein besungen, BWV 479
Kommt Seelen, dieser Tag muss heilig sein besungen, BWV 479
La Fenice, Jean Tubery
 Troisième suite in D Minor: IV. Double de la courante
Troisième suite in D Minor: IV. Double de la courante
La Fenice, Jean Tubery
 Troisième suite in D Minor: V. Sarabande
Troisième suite in D Minor: V. Sarabande
La Fenice, Jean Tubery
 Toccata in G Major
Toccata in G Major
La Fenice, Jean Tubery
 Ach, wie shnlich wart ich der Zeit
Ach, wie shnlich wart ich der Zeit
La Fenice, Jean Tubery